‘Yellowstone’ creator Taylor Sheridan slams Marvel: ‘What do you know about storytelling?’ |

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The “Yellowstone” creator criticized modern blockbuster filmmaking, arguing that studios rely too much on exposition rather than visual storytelling. Image Credit (Instagram)

Taylor Sheridanthe writer and co-creator of ‘Yellowstone’, has voiced harsh criticism of Marvel films and the executives who oversee modern studio productions. Sheridan articulated his frustrations with contemporary filmmaking practices and contrasted them with an earlier era of Hollywood storytelling.Taylor Sheridan explained his approach to screenwriting and what he believes separates quality storytelling from the shortcuts he sees prevalent in today’s entertainment landscape. His comments specifically targeted the storytelling methods employed by Marvel Studios, the company behind the big movie franchises.

Taylor Sheridan’s Fundamental Storytelling Philosophy

Sheridan described his approach to screenwriting early in his career. “What everyone else was doing was taking shortcuts. Essentially breaking all the basic and fundamental rules of storytelling. Because they couldn’t figure out their story,” he said Sunday on the Bill Simmons Podcast. Instead of following industry trends, Sheridan focused on what others weren’t trying to do in his work.He laid out the basic principle he believes should guide filmmaking. “With a movie, you’re supposed to show me what’s going on. The camera’s supposed to move the story. The dialogue’s supposed to tell me how the people in this world feel about what’s going on or what they hope to do or what they wish they hadn’t done or had done. So if you follow that basic rule from the beginning, no character has ever told me something that Sheridan has told me.”

Taylor Sheridan qüestiona el paper dels executius de l'estudi en el cinema<br />” msid=”132088899″ width=”” title=”Sheridan suggested that many modern executives lack storytelling experience and interfere too much in the creative process. Image Credit (Instagram)” placeholdersrc=”https://static.toiimg.com/photo/83033472.cms” imgsize=”” resizemode=”4″ offsetvertical=”0″ placeholdermsid=”47529300″ type=”thumb” class=”” src=”https://static.toiimg.com/photo/msid-132088899/taylor-sheridan-questions-the-role-of-studio-executives-in-filmmakingbr.jpg” data-api-prerender=”true”/></p> <p>Sheridan suggested that many modern executives lack storytelling experience and interfere too much in the creative process. Image Credit (Instagram)</p> </div> </div> <p><h2>Taylor Sheridan’s critique of Marvel’s narrative approach</h2> </p> <p>The conversation turned to how the major studios execute their films, and Sheridan was unsparing in his assessment. <!-- -->“All these Marvel movies do that. Where they’re just going to have information dumps that you have to follow to get to the action instead of moving the plot with the action,” he said of the superhero studio’s approach behind franchises like ‘Captain America’, ‘The Avengers’ and ‘Spider-Man.’<span class=According to Sheridan, this represents a departure from how the film industry operated in previous decades. “It didn’t used to be like that when Steve McQueen was a movie star at Paramount, and Bobby Evans was running the studio because the writers were loose. The directors were completely loose,” Sheridan reflected on the studio system of earlier eras.

The impact of executive involvement in creative work

Sheridan described the differences in how creative decisions were made during the earlier period he referenced. “There were no endless rewrites. There were no meetings with executives about tone and mood and all that nonsense,” he said, contrasting past practices with today’s studio operations where multiple layers of approval and review occur.

Taylor Sheridan destaca l'enfocament de l'exposició de Marvel<br />” msid=”132088915″ width=”” title=”The writer argued that many superhero movies rely on long information dumps instead of letting the action and visuals drive the plot. Image Credit (Instagram)” placeholdersrc=”https://static.toiimg.com/photo/83033472.cms” imgsize=”” resizemode=”4″ offsetvertical=”0″ placeholdermsid=”47529300″ type=”thumb” class=”” src=”https://static.toiimg.com/photo/msid-132088915/taylor-sheridan-singles-out-marvels-approach-to-expositionbr.jpg” data-api-prerender=”true”/></p> <p>The writer argued that many superhero films rely on long information dumps instead of letting the action and visuals drive the plot. Image Credit (Instagram)</p> </div> </div> <p><h2>Taylor Sheridan Rating of Modern Studies Executives</h2> </p> <p>Sheridan offered a pointed critique of the background and qualifications of contemporary studies leadership. “The studio executives and the network executives—these are marketing executives, for the most part. Or maybe they went to law school or whatever. Then they came, got a job in the mailroom of a talent agency or some other major agency, and they hated it. So they ended up as interns at some network. Then, because of attrition, they found themselves as head of development.<!-- --> Well, what do you know about developing a story? You don’t know anything,” he said.<span class=In Sheridan’s assessment, this lack of storytelling experience translates into decision-making driven by fear rather than artistic vision. “So they get scared, they get scared that the audience won’t get it because they don’t really have narrators,” he concluded, suggesting that executive insecurity about narrative understanding drives the information-heavy approach he criticized.Sheridan’s comments reflect broader concerns within the creative community about how major studios balance commercial considerations with narrative integrity in making contemporary blockbusters.



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